As Outlander is Claire and Jamie's story, the episode mostly focuses on their feelings and interpretation of events. The level of racism, inhumanity, and hate depicted is realistic, but Outlander often falls into the trappings of a white savior narrative, and "Do No Harm" is no exception. In the end, it seems, Claire only prolonged Rufus' pain.
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And even though he's dead, the overseers still mutilate Rufus' body. She's resistant, but when Rufus insinuates that he wants her to do this mercy killing, she reluctantly goes through with it. So when the angry mob of slave owners does arrive, Jamie suggests that Claire euthanize Rufus rather than allow him to be tortured. However, the plantation's butler, Ulysses, warns Claire that Rufus will now "face a fate far worse than death." Ulysses is also a slave and knows that the overseers will torture and kill Rufus to set an example. Jamie and Claire intervene, and Claire performs an agonizing operation on Rufus back at River Run.
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He tortures Rufus by placing a hook in his stomach and lifting him into a tree. North Carolina law dictates that Rufus must be executed for his crimes, but when Jamie and Claire arrive at the scene, Byrnes has already taken matters into his own hands. After Byrnes, a white overseer, lashes a slave named Rufus, Rufus retaliates by cutting off Byrnes' ear. Just as they did during their voyage to Jamaica, Jamie and Claire attempt to swoop in and save the day, but with conflicting results. They make their feelings clear to Aunt Jocasta, but otherwise mostly stand by - at least at first. At the outset of the episode, Claire and Jamie turn up at River Run only to discover that, so long as they stay there, they are complicit in owning slaves. "Do No Harm" offers the first glimpse of how these issues will be handled. Season 4 will include some similarly polarizing scenes, as it will cover both slavery in 18th century America and the genocide of Native Americans. We wanted to do justice to that part of the book."
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"Our only parameter for it was to show it as brutal as it was, and not try to whitewash it, not try to soften everything to be politically correct, because we believe very strongly that would be a disservice to tone it down or make it TV friendly," executive producer Toni Graphia told Entertainment Weekly. There were, rightfully, several critics who chastised how the story was handled, but the crew stood by it.
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Ultimately, she ended up purchasing her own slave in order to free him, promising to let him go as soon as they found a safe place to do so. As a 20th century woman, she wasn't brought up in an era in which it was legal, and when she and Jamie went to Jamaica to rescue Young Ian, she was horrified to see the slave trade firsthand. Season 3 already established that Claire doesn't support slavery. Unfortunately, it's not much better than how the show has done so in the past. Jamie and Claire have no money to their names after Stephen Bonnet robbed them, but they do find a home at Aunt Jocasta's plantation in "Do No Harm." And their arrival means that viewers are finally able to see how Outlander addresses slavery in America. She's a sassy chick.Spoilers ahead for Outlander Season 4, Episode 2. "I feel like the Bridgerton world has grown and you're going to see a lot more sides to her. But the world cracks open," Coughlan told ETin September. We find out at the end of season 1, that is there but we don't get to explore it. "It's got a whole lot spicier I will say. Production began on the show's second season earlier this year, and according to Coughlan, it's set to be even steamier and more scandalous than the first.
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While she may not have expected to find success in the Regency-era, we hope she's getting used to it, as the Emmy-winning Netflix show has already been renewed through season 4. "They told me, ‘Your face is too modern.' I have no idea to this day what that means." "I was told, categorically, I would never do period drama," the Galway-born actress revealed to The Hollywood Reporter. And yet, while Bridgerton, the Netflix period piece based on Julia Quinn’s enormously popular novels, is unimaginable without Penelope's upbeat charm and biting wit, the actress herself-who also stars in the '90s-set comedy Derry Girls-was told during drama school that she'd never have a place in such a period piece. Nicola Coughlan's Penelope Featherington is an essential part of the Bridgerton universe-even more so since her dramatic secret was revealed at the end of season one.